Produced by Bristol sound co-founder Geoff Barrow, this scabrous if undernourished first film casts a critical gaze on 90s rave culture. Venal pillhead David (Marc Bessant) initially steals from an passed-out supplier, then in a later recollection tries to burgle his own family home. Before you can say, he's upside down in the wreckage of his car in a forest – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward city dwellers, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Darkly Funny Confrontation
The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into flashbacks of his everyday life. The central theme – that the rave-era youth were mainly focused on themselves – is firmly made. But these brief episodes are too thin to properly prime us for what to expect when the Woodsman arrives, enraged after David strangles his dog. Still, a darkly funny standoff unfolds – David desperate to escape; the Poacher withholding his jerrycan of scrumpy, intent on soaking him instead in resentful talk. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Visual Flair and Promo-Inspired Vibe
Just a single key story turn, but it results in a comically executed rampage on the forest trails that veers toward rural terror. Director John Minton at last unleashes with his showy imagery: where he was hunkered down doing artful shots of insects in the light in the opening part, he now lets rip with the full psychedelic 21-gun salute, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
The film is in British and Irish cinemas from November 17.
